Turbonegro, the Norwegan mad men that invented their own genre, death punk, and got fanantic followers all over the world that label themself Turbojugends, have released their first full lenght CD after their singer and front man Hank von Helvete´s departure. Few established bands have survived the departure of their charismatic singer and front man, such as Hans Erik Dyvik Husby (as his real name is spelled), even fewer with such an established character as the fat bellied junkie, von Helvete. But the rest of the band decided to give it a go.
And the result is the record “Sexual Harassment”.
Last night saw the release party of their new CD, Sexual Harassment at a hotel in Stockholm. With their cover illustration as a huge banner on the hotel exterior, the band shows that nothing will be spared on this release.
In todays Swedish edition of the news paper Metro the new singer, the Britt Tony Sylvester said that he respect Hank too much to do a bad imitation of him.
So the good mister Sylvester have a hard task to convince the world, and the Turbojugends, that he are the new singer of Turbonegro.
The new singer Sylvester know his Turbos, he´s been a Turbojugend and their Brittish press spokes person, so it seems like he is in the game. On the other hand, being an egocentric singer and a fan is a huge difference.
But Turbonegro is far from a singer and a support band. The band has it´s defined way of playing. Not that it is too original in any way. But it is still their sound and that is the joy of it. But I can´t help find traces of the early Hellacopters here (when they were a really good band) and rock n roll grove ala Diamond Dogs. But a bit more dirty, and heavy. The new singer gives the band a rougher sound at the same a more polished way to present themself. Because the insanity of Hank von Helvete no one can copy. The Metro (Sthlm) reviewer didn´t thought of it as a real Turbonegro record, It is possible it is not (Im not a Turbojugend so who am I to tell) but it´s still a good record. Over all the Swedish reviews been pretty positive and the web edition of Gaffa don´t miss Von Helvete one bit. Musically I agree, mythologically I don´t. The hard, rocksy death punk tunes are catchy both in the sound and the tunes itself.
Best song? Hard to say, it´s over all a good record that have a bunch of good tracks, but the “Shake your shit machine” tune have a real Turbonegro title so I might mention it.
Worth the money? Yes!
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